《黑色乳汁》劇情介紹
《黑色乳汁》是由烏姍瑪·柏秀執(zhí)導，烏姍瑪·柏秀編劇，GunsmaaTsogzol,烏姍瑪?shù)让餍侵餮莸膭∏?電影。
草原召喚著從小在德國長大的薇希，她離開城市，來到這記憶模糊的家鄉(xiāng)，與久未謀面的姊姊在蒙古大戈壁一起生活。牧養(yǎng)牲口、逐水草而居的自由令人心生響往，牧民順應自然、崇敬生命的態(tài)度，深深吸引著薇希。然而，文化間的衝突正隱然蔓延，姊妹倆對于婚姻、愛情、性、夢想有著截然不同的價值觀，彼此的隔閡日漸加劇。面對不是自身的傳統(tǒng)，她們該如何在自我認同與社會認可間取得平衡？ 繼《海蒂不分類》之後，導演鄔珊瑪．柏楚再次自編自導自演，從自己移民到歐洲的經(jīng)驗出發(fā)，剖析跨文化間的認同難題，并大膽直探女性情感與情慾自主的神祕地帶。由柏楚的親戚飾演電影中的姊姊角色，為人物增添自然和親密的互動；二度合作的攝影師司凡．徹那，貼合故事節(jié)奏的影像，默契十足地捕捉到角色的心靈狀態(tài)與令人屏息的戈壁之美。
《黑色乳汁》別名：BlackMilk，于2020-02-21上映，制片國家/地區(qū)為德國。時長共91分鐘，語言對白蒙古語，該電影評分0.0分，評分人數(shù)285人。
《黑色乳汁》評論
同類型電影
《黑色乳汁》影評
“Menyoucanfindeverywhere,”saysWessi.“Andtheyareallthesame.”
這篇影評可能有劇透
I went to see this German-Mongolian movie on the last day of Osaka Asian Film Festival.
The movie is about a Mongolian girl (Wessi) who grew up in Germany went back to Mongolia searching for her roots and finally met her sister (Ossi). Two sisters try to bridge the gap after long years of separation. It is all about cultural identity, reconnection and feminism.
The movie takes people to Mongolia for a 91-minute trip. There are some scenes that showed daily life of Mongolians like slaughtering two goats by inserting an arm into their stomach cavity. Although the rape scene might show that the strength of patriarchy is everywhere. It does not say that Mongolia is a patriarchal nightmare. As Wessi says, “Men you can find everywhere, and they are all the same.” The film realizes that good and bad men can found anywhere, but it’s up to women no matter where they are to speak up and find the right, caring kind of man for themselves.
The movie is beautiful and brave. It challenges the old tradition. In Mongolian culture, women are not supposed to do the slaughter. Women are not allowed to participate while men are doing worship. Growing up in a western country, Wessi could not understand it. When no men in the house could do the goat slaughter, Wessi said, “I don’t need help, I could do the slaughter.”
Black Milk tells a personal story of finding yourself in a situation that is both foreign and familiar. The hallowed feminist message that women’s bodies belong to them is exotically dramatized in the movie as well.
