《我的愛情遺忘在秋天》劇情介紹
《我的愛情遺忘在秋天》是由奧利維耶·阿薩亞斯執(zhí)導(dǎo)，奧利維耶·阿薩亞斯編劇，讓娜·巴利巴爾,維吉妮·拉朵嫣,馬修等明星主演的劇情,電影。
加布里埃（馬修·阿馬立克MathieuAmalric飾）是一名在出版社工作的編輯，近日里，他對(duì)自己的工作產(chǎn)生了強(qiáng)烈的質(zhì)疑。曾經(jīng)，加布里埃是一名自由職業(yè)者，可以隨心所欲的創(chuàng)作自己喜愛的作品，如今，他被局限在狹窄的辦公室之中，無比懷念曾經(jīng)自由的生活，可又下定不了辭職的決心。 在感情生活里，加布里埃也是這樣的猶豫不決。他十分想念前女友珍妮（珍妮·巴利巴爾JeanneBalibar飾）的成熟和性感，卻又放不下現(xiàn)任女友安娜（維吉妮·拉朵嫣VirginieLedoyen飾）的年輕和單純。亞德（弗朗索瓦·克魯塞Fran?oisCluzet飾）是加布里埃的好友，他的死訊讓加布里埃開始重新思考起什么才是他生命中真正重要的東西。
《我的愛情遺忘在秋天》別名：Late August, Early September 八月末九月初，于1999-02-10上映，制片國(guó)家/地區(qū)為法國(guó)。時(shí)長(zhǎng)共112分鐘，語言對(duì)白法語，最新狀態(tài)HD。該電影評(píng)分7.4分，評(píng)分人數(shù)860人。
《我的愛情遺忘在秋天》演員表
《我的愛情遺忘在秋天》評(píng)論
《我的愛情遺忘在秋天》影評(píng)
2有用
漸遠(yuǎn)的青春，如朋友的話語
這是我很喜歡的一類法國(guó)電影,
情節(jié)簡(jiǎn)單, 但真實(shí)親切, 情感真摯.
Late August, Early September 就是一個(gè)很好的例子. Thirty-Something 的友誼現(xiàn)實(shí)愛情.
More people die of heartbroken。
愛情和絕癥并不老套， 天天都在發(fā)生， 沒有愛情就是最可怕的病，
這里是一些影評(píng):
"It is in the thirties we want friends," F. Scott Fitzgerald wrote. "In the forties, we know that they can’t save us any more than love did." This beautifully orchestrated French film directed by Olivier Assayas provides a thought-provoking and engaging meditation upon this truth.
"Idealism gives way to compromise for a group of frustrated friends in Olivier Assayas’ modest yet moving new film."
In "Late August, Early September," the characters are constantly tempted by both bitterness and guilt. Assayas understands those temptations, but he doesn’t give in to them. The cautious hopefulness of the film lies in the characters’ realization that there is a life to be lived -- a good life -- beyond the compromises we are all forced to make. 這篇影評(píng)有劇透
情節(jié)簡(jiǎn)單, 但真實(shí)親切, 情感真摯.
Late August, Early September 就是一個(gè)很好的例子. Thirty-Something 的友誼現(xiàn)實(shí)愛情.
More people die of heartbroken。
愛情和絕癥并不老套， 天天都在發(fā)生， 沒有愛情就是最可怕的病，
這里是一些影評(píng):
"It is in the thirties we want friends," F. Scott Fitzgerald wrote. "In the forties, we know that they can’t save us any more than love did." This beautifully orchestrated French film directed by Olivier Assayas provides a thought-provoking and engaging meditation upon this truth.
"Idealism gives way to compromise for a group of frustrated friends in Olivier Assayas’ modest yet moving new film."
In "Late August, Early September," the characters are constantly tempted by both bitterness and guilt. Assayas understands those temptations, but he doesn’t give in to them. The cautious hopefulness of the film lies in the characters’ realization that there is a life to be lived -- a good life -- beyond the compromises we are all forced to make. 這篇影評(píng)有劇透
