Director in person, 本來打算接著拍Documentary 但是拿到funding后改主意；結(jié)尾we are actually taking tequila shot, and the film ends there cause I don't have a decent shot of Anne looking down; I began in when i was around twenty six, and we shot that last terrible scene when I was roughly thirty; I just owned too many people too much money; I just... just tell my story

Girlfriends被華納兄弟買下后拍第二部電影It's My Turn，體驗(yàn)到studio當(dāng)時(shí)對(duì)女導(dǎo)演的歧視。"There is not a lot, I just leave."

我能期待什么呢？我能期待如果我認(rèn)真去做好我想做的事，那么我是有希望把它做好的

回到電影本身，情節(jié)不停曲折，于是開始找到一些共性。每個(gè)人都是自私的，并且每個(gè)人的自私都是legitimate, justified，能怎么辦呢。

Stanley Kubrick最喜歡的那個(gè)年代的電影，真正可以和歐洲新浪潮放在一起(according to Kubrick)。

講道理近段時(shí)間最佳both the film and the director



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When Vicente Molina Foix interviewed the director in 1980, asking for his thoughts on the filmmaking of men "like Coppola, Schrader, Spielberg, Scorsese, or DePalma," Kubrick ignored the tendency to talk about the usual male talent of that generation. He responded:

I think one of the most interesting Hollywood films, well not Hollywood — American films — that I've seen in a long time is Claudia Weill's Girlfriends. That film, I thought, was one of the very rare American's films that I would compare with the serious, intelligent, sensitive writing and filmmaking that you find in the best directors in Europe. It wasn't a success, I don't know why; it should have been. Certainly I thought it as a wonderful film. It seemed to make no compromise to the inner truth of the story, you know, the theme and everything else. [Taschen]

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